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White Days Again Della Swiss Mp3

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Vocal by Suzanne Vega

"Tom's Diner"
Tom's diner.jpg
Single by Suzanne Vega
from the album Solitude Standing
Released 1987 (1987)
Recorded 1986 (1986)–87 (87)
Studio
  • Bearsville (Woodstock, New York, US)
  • RPM Sound (Calgary, Alberta, Canada)
Length ii:09
Label
  • A&One thousand
  • PolyGram
Songwriter(s) Suzanne Vega
Producer(south)
  • Steve Addabbo
  • Lenny Kaye
Suzanne Vega singles chronology
"Luka"
(1987) 		"Tom's Diner"
(1987) 		"Solitude Standing"
(1988)

"Tom'south Diner" is a song written in 1982 by American vocalizer and songwriter Suzanne Vega. It was first released equally a track on the January 1984 issue of Fast Folk Musical Magazine.[one] When commencement featured on ane of her ain studio albums, it appeared as the first runway of her 1987 album Solitude Standing. It was afterwards used as the footing for a remix by the British grouping DNA in 1990, which reached No. 1 in Austria, Germany, Hellenic republic and Switzerland. The 1991 compilation Tom's Album includes the Dna version as well equally embrace versions by artists such equally Later One, Nikki D and Bingo Hand Job (R.Eastward.M. and Billy Bragg).[2] It was also used every bit the background soundtrack for the opening scene of the 1993 movie Untamed Eye.

Original version [edit]

Groundwork and writing [edit]

The "Tom's Diner" of the vocal is Tom's Restaurant in New York Urban center,[3] [4] a mid-20th-century diner on the corner of Broadway and 112th Street. Vocalizer and songwriter Suzanne Vega was reputedly a frequent patron during the early 1980s when she was a pupil at nearby Barnard College.[5] The diner after became famous equally the location used for the exterior scenes of Monk'due south Café in the popular 1990s boob tube sitcom Seinfeld.[5]

The song begins with the narrator stopping at a diner for a cup of coffee. The song mentions reading a paper as well as seeing two women, one who enters the diner and ane who stands exterior in the pelting. The ringing of bells at a nearby cathedral causes the narrator to reminisce about an unnamed companion and a midnight picnic. At the terminate of the vocal, the narrator leaves the diner to take hold of the railroad train after the coffee is finished.

Vega wrote the song based on a comment by her friend Brian Rose, a photographer, who mentioned that in his work, he sometimes felt as if "he saw his whole life through a pane of glass, and [...] like he was the witness to a lot of things, but was never really involved in them". She attempted to recollect and write in this fashion (including a male person perspective[3]) while sitting at Tom's Eating house. The "bells of the cathedral" that she remarks hearing in the vocal are those of the Cathedral of St. John the Divine, located one block to the east.[ citation needed ]

"Tom'southward Diner Day": The date of the composition [edit]

An commodity on Suzanne Vega's official website[six] [vii] uses clues in the song to determine the exact appointment that Vega wrote it.

Vega said that she wrote the song in 1982; Brian Rose has said that it was written former betwixt mid-1981 and mid-1982. The lyrics refer to a rainy morning, when she was at the diner on the corner, reading in her newspaper of "a story of an histrion / who had died while he was drinking", and after "turning to the horoscope / and looking for the funnies". Only 2 newspapers in New York Urban center carried comic strips, or "funnies", in 1981 and 1982, and only one, the New York Post, featured a forepart-page story of the death of Oscar-winning actor William Holden, whose trunk was discovered on Monday, November xvi, 1981. He had died from a fall at his apartment, suffered after drinking excessively. In a 2008 essay for The New York Times, Vega confirmed that Holden was the actor whose decease she had read about and inspired the line in the song.[viii]

On that twenty-four hours in New York, however, the weather was not rainy, but overcast. Vega has acknowledged that "Tom's Diner" features a composite of events, and that the rain was from a morning time she remembered being in the diner during the spring of 1982, later the initial events of the song.[ citation needed ]

Music and lyrics [edit]

Vega originally conceived "Tom's Diner" as a slice for voice and solo piano. Ii versions feature on her anthology Confinement Continuing; the album opens with an a cappella version, and closes with an instrumental version played on keyboards, with guitars lending support.

During the 2006 Major League Baseball season, Cincinnati Reds player Ryan Freel used this song as his archway song when he came to bat.

The "Mother of the MP3" [edit]

An article in the now defunct magazine Business ii.0 revealed that "Tom's Diner" was likewise used by Karlheinz Brandenburg to develop the audio compression scheme known as MP3 at what is now the Fraunhofer Society. He recalled: "I was ready to fine-tune my compression algorithm...somewhere down the corridor, a radio was playing 'Tom's Diner.' I was electrified. I knew it would be nearly impossible to compress this warm a cappella voice."[9]

In a 2009 documentary about the history of the vocal by Swedish SVT, Brandenburg said: "I was finishing my PhD thesis, and then I was reading some hello-fi magazine and plant that they had used this song to test loudspeakers. I said 'OK, allow's test what this song does to my sound arrangement, to MP3'. And the result was, at bit rates where everything else sounded quite dainty, Suzanne Vega'south voice sounded horrible."[x]

Brandenburg adopted the song for testing purposes, listening to it over again and once again each time he refined the scheme, making sure it did not adversely affect the subtlety of Vega'southward vox. While the MP3 pinch format is not specifically tuned to play the song "Tom's Diner" (an assortment of critically analyzed material was involved in the blueprint of the codec over many years), among audio engineers this anecdote has earned Vega the informal title "The Mother of the MP3".[11]

Rail listings [edit]

12" maxi
  1. "Tom's Diner"
  2. "Left of Middle"
  3. "Tom's Diner" (live)
  4. "Luka" (alive)

Charts [edit]

Dna remix [edit]

"Tom'southward Diner (DNA Remix)"
Tom's diner (DNA).jpg

Artwork for European releases
Single by Dna featuring Suzanne Vega
B-side "Remix"
Released 1990
Genre
  • Trip hop
  • electronic
Length 3:47
Label
  • A&M
  • PolyGram
Songwriter(southward)
  • Steve Addabbo
  • Lenny Kaye
  • Suzanne Vega
Producer(s)
  • Steve Addabbo
  • Lenny Kaye
  • DNA
Suzanne Vega singles chronology
"Men in a State of war"
(1990) 		"Tom'southward Diner"
(1990) 		"In Liverpool"
(1992)
Audio sample
  • file
  • help
Music video
"Tom's Diner" on YouTube

Background [edit]

"Three years later, I heard that two young English language guys called DNA had put a beat to it – and I cringed. I'd just had a big hit with Luka, which – unfortunately, despite its dark discipline thing, kid abuse – lent itself to all sorts of parodies and covers, most of which I hated. I feared more of the aforementioned, just to my great relief I loved what Deoxyribonucleic acid had done. I idea it would be played in a few trip the light fantastic toe clubs and that would be it, but it surpassed everyone's expectations. I even got a plaque for it beingness one of the well-nigh played R&B songs – funny for a folk singer."

—Suzanne Vega talking about the song.[16]

In 1990, two British record producers under the proper noun DNA remixed "Tom's Diner", grafting Vega's vocals onto a dance beat from Soul Two Soul ("Keep On Movin'") and turning her uncomplicated ad-libbed outro – "Da da da duh, doo da-doo doo" – into the song's driving hook. It was impossible to get a whole song into a sampler, so they spent evenings and weekends cutting Vega's vocals into fiddling bits.[sixteen] Without permission from Vega, her record label, or publisher, the duo released the remix on a limited basis for distribution to clubs equally "Oh Suzanne" past "Dna featuring Suzanne Vega". Vega's record company of the time, A&M, decided to buy[ commendation needed ] and release the remix rather than accept Deoxyribonucleic acid to court for copyright infringement.

A&M struck the deal after consulting with Vega, who liked the interpretation,[17] and Dna, who conducted the transaction through intermediaries without revealing their truthful identities.[ citation needed ] The remix became a much larger hit than Vega had with the song originally, peaking at number 2 on the UK Singles Nautical chart and number 5 on the US Billboard Hot 100, and it became one of a handful of tracks to chart in the peak ten of both the Modernistic Rock Tracks (number 7) and Billboard R&B/Hip-Hop Tracks (number 10) charts. The remix likewise reached number ane in Republic of austria, Deutschland, Hellenic republic and Switzerland. A music video was likewise made of this version.

Composition [edit]

The remix of the song is written in the key of F ♯ minor in common time with a tempo of 99 beats per minute.[18] Vega'due south vocals span from F ♯ 3 to Dfour in the vocal.[19]

It was certified Gold in Frg in 1990.[20]

Disquisitional reception [edit]

Larry Picture from Billboard commented, "Don't miss the exceptional "Tom's Diner", by Dna Featuring Suzanne Vega." He noted that the Brit outfit has placed "a slammin' Soul II Soul-flavored swing instrumental" underneath Vega's song.[21] He as well described the rails as "indelibly infectious."[22] Pupil newspaper Columbia Daily Spectator called information technology a "surprise hit".[23] Marisa Fox from Amusement Weekly said the dance shell is "mesmerizing".[24] A reviewer from Music & Media wrote that "the solitary vocal part is perfectly complemented past the Steely Dan blazon horns and the grinding hip-hop beat. A fine version."[25] British magazine Music Week ranked the song number-1 in their Top ten listing, Pick Of The Twelvemonth - Dance.[26] Diane Tameecha from The Network Forty commented that "the connectedness of Vega'south sensuously soft voice and the unlikely rhythm (for her music, anyway) is startlingly vibrant, and its jazziness is an instant ear-catcher."[27] Smash Hits's reviewer said that remixes like this one "end up sounding far better than the originals and the result is rather refreshing."[28]

Music video [edit]

A music video was made to accompany the song. It was directed by Gareth Roberts.[29]

Track listings [edit]

CD maxi

  1. "Tom's Diner" (7-inch A) – 3:47
  2. "Tom'south Diner" by Suzanne Vega – 2:39
  3. "Tom'due south Diner" (a cappella) by Suzanne Vega – two:08
  4. "Tom's Diner" (12-inch A) – five:xx

7-inch single

  1. "Tom's Diner" – three:47
  2. "Tom'south Diner" (a cappella) by Suzanne Vega – 2:08

12-inch maxi

  1. "Tom'southward Diner" (remix) – This version, containing a piano with a solo part, has never been released on CD or MP3 even so.
  2. "Tom's Diner" by Suzanne Vega
  3. "Tom's Diner" (a cappella) by Suzanne Vega

Cassette single

  1. "Tom'due south Diner" seven-inch version by Suzanne Vega (side 1)
  2. "Tom's Diner" 12-inch version by Suzanne Vega (side 2)

Charts and certifications [edit]

Giorgio Moroder version [edit]

"Tom's Diner"
Tom's Diner single cover Giorgio Moroder ft Britney Spears.jpg
Single by Giorgio Moroder featuring Britney Spears
from the album Déjà Vu
Released Oct 9, 2015 (2015-10-09)
Recorded 2014
Genre
  • Disco
  • popular
  • EDM
Length iii:32
Label RCA
Songwriter(s) Suzanne Vega
Producer(s)
  • Raney Shockne
  • Jeeve
  • Patrick Jordan-Patrikios
  • Emily Wright
Giorgio Moroder singles chronology
"Déjà Vu"
(2015) 		"Tom's Diner"
(2015) 		"Good for Me"
(2016)
Britney Spears singles chronology
"Pretty Girls"
(2015) 		"Tom'due south Diner"
(2015) 		"Make Me"
(2016)
Lyric video
"Tom'southward Diner" on YouTube

For the release of his fourteenth studio album Déjà Vu on June 12, 2015, tape producer Giorgio Moroder included a remake of the song, featuring American vocaliser Britney Spears on his album equally the eighth track.[66] It was later on released as the album's quaternary and final unmarried on October 9, 2015 with 2 new remixes included, marking the second release from Spears in 2015, post-obit "Pretty Girls", and additionally her first featuring participation since "S&M (Remix)" in 2011.[67]

Despite being a non-single rail at that fourth dimension, it became Moroder's all-time-selling digital vocal to date, debuting and peaking at number 38 on the Billboard Dance/Electronic Songs nautical chart, and number fourteen on the Billboard Dance/Electronic Digital Songs chart, during the week of July iv, 2015.[68] [69]

Runway listing [edit]

  1. "Tom's Diner" – 3:32
  2. "Tom's Diner" (Leu Leu State Remix) – ii:58
  3. "Tom's Diner" (Hibell Remix) – 3:17

Сharts [edit]

Release history [edit]

Remakes and samples [edit]

Remakes [edit]

The vocal spawned a number of hip hop, trip the light fantastic toe, and rock remixes and remakes from artists such equally Peter Behrens (drummer from Trio) and Bingo Hand Task, a whimsical one-time collaboration between Billy Bragg and R.Due east.M. It was also sampled in songs by Public Enemy, Nikki D, Twin Hype, Yo Gotti and Lil' Kim, among other hip hop acts.

In 1991, Vega, noting the huge number of remakes of the song, released Tom's Album, a compilation of different versions of the song, spanning a variety of musical genres, including a parody by Marker Jonathan Davis[80] that worked in references to I Dream of Jeannie called "Jeannie's Diner", which Nick-at-Nite would utilise to promote its airings of the show. The album also featured another Dna remix of one of her songs, "Rusted Pipe." On the album'south sleeve, Vega wrote: "A small song nearly eating breakfast became a song about accidental pregnancy (Daddy'south Little Girl – Nikki D.) and the contempo war in the Gulf (Waiting at the Border). One version incorporates forgotten bits of pop culture (Jeannie's Diner). All of them surprised me; a couple made me wince. I include them anyhow."[81]

In 2015, audio artist and composer Ryan Maguire[82] released the track "moDernisT"[83] (an anagram of "Tom's Diner") as a part of his project "The Ghost in the MP3".[84] "moDernisT" is composed exclusively of the sounds deleted during MP3 pinch from the song "Tom'due south Diner", known as the mother of the MP3.[85] A detailed business relationship of the techniques used to isolate the sounds deleted during MP3 pinch, forth with the conceptual motivation for the projection, was published in the 2014 Proceedings of the International Computer Music Briefing.[86]

In 2020, English producer Robbie Doherty remixed the song with artist Keees, titling information technology "Pour the Milk," launching it to No. 44 on the United kingdom of great britain and northern ireland Singles Chart.[87]

Samples [edit]

The song is sampled on "Centuries" by American rock band Autumn Out Male child, released in 2014.[88]

References [edit]

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  2. ^ [1] [ dead link ]
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  88. ^ "Hear Fall Out Boy's 'Centuries': New Song Samples Suzanne Vega'due south 'Tom's Diner'". Billboard.com . Retrieved June 27, 2016.

External links [edit]

  • 'Tom'southward Essay' - Suzanne Vega explains how the song came to exist
  • Mike Dreams - Tha Diner
  • Writeup containing Vega'due south a cappella version in the prelude to which she speaks of the song

mcmilliancaravered44.blogspot.com

Source: https://en.wikipedia.org/wiki/Tom%27s_Diner

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