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Bio: Strand of Oaks

To sayIn Heaven is almost conquering grief would be oversimplifying everything Tim Showalter has achieved on the eighth studio album from Strand of Oaks. A stunning, hopeful reflection on love, loss, and enlightenment,In Sky is a triumph in music making, and a preeminent improver to the Strand of Oaks discography.

In late 2018, Showalter's married woman, Sue, lost her female parent in a car accident. Soon after, Stan, the true cat they both adored, was diagnosed with terminal cancer. Showalter quit drinking so he could take better intendance of his wife and help rebuild the life they shared. And within months, they decided to pack up and motility beyond the land from Philadelphia to Austin, Texas. It was an irrational decision made at the height of a terrible time, but it'southward i that shaped so much of whatIn Heaven is about.

In Sky was recorded in October 2020 with Kevin Ratterman at Invisible Beast in Los Angeles. Carl Broemel (My Morning Jacket) is featured on guitar throughout the record, while James Iha (The Smashing Pumpkins) contributed vocals and guitar for "Easter." Bo Koster (MMJ, Roger Waters) provided keyboards, Cedric LeMoyne (Alanis Morrissette, Remy Zero) bass, Scott Moore violin, and Ratterman monstrous drums. Showalter besides played alot of synth on this tape, which he hasn't done since 2014'sHEAL. With clean sounds, Jeff Lynne-esque acoustics, and sophisticated songwriting, he approachedIn Heaven in a more poised and popular-leaning way than his past releases.

"I wanted to strive for something greater than what I thought I was capable of."

The upshot is something extraordinary, every bit Showalter has crafted a poignant narrative that transcends his personal experiences and achieves a universality rooted not simply in loss but joy, celebration, and newfound strength. The gorgeous opener "Galacticana" finds him telling us "I don't want to drag you down," a reassurance that his intentions prevarication in uplifting. But there'southward a duality present throughoutIn Heaventhat is palpable, as felt on "Easter," an exuberant pop anthem featuring jaunty guitar and ethereal vocals courtesy of Iha, that both celebrates Showalter'due south new life and references his efforts to "stop the boat from sinking." It'southward a powerful sentiment echoed in boring burner "Hurry," which showcases some exceptional shredding by Broemel, and beyond, every bit Showalter explores mortality and a heightened sense of his own existence, intensified by a world where he no longer uses booze to cope.

Pairing smart, imaginative lyrics and striking arrangements, tracks similar "Carbon" and its magnificent violin stand out, as does "Sister Saturn" with its funky, sinuous groove, and the sublime "Horses at Dark," which features one of Showalter's most exquisite melodies to date. In that location'due south besides a discernible electric current running throughIn Heaven of homage to some notable losses in music—John Prine, Jeff Buckley, and Jimi Hendrix all play a part—forIn Sky is about moving across sadness or anger to a state of gratitude that nosotros ever had these people to begin with. And while every song provides some clue to Showalter's personal heaven, the jubilant "Jimi and Stan" says information technology all, wherein Hendrix and his beloved cat Stan are hanging out, going to shows, and looking at stars together.

And as our musical odyssey ends in the warm comprehend of "Under Sky," the weight of everything Showalter has manifested—the dazzler, and the sadness, and the immensity of information technology all—hits with tremendous impact. But any sense of hopelessness or melancholy yields to a dissimilar feeling entirely, just as he intended. Perhaps we're feeling stronger, more prepared for something. Or maybe it's just a reminder: telephone call your parents, text your friends, hug your pets. Listen to your favorite records. And think almost what information technology ways to be alive.

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